I can under­stand Scott Herren’s want­ing to burn down the Prefuse 73 moniker and start afresh. It’s been obvi­ous for awhile that he has tired of the cult of per­son­al­ity sur­round­ing this alias of his, and that his inter­ests have grown beyond what is expected of “Prefuse 73.” When Sur­rounded By Silence was released, he took a lot of crit­i­cism for it’s guest and vocal heavy com­po­si­tions. But what can you expect? For years he has been the “guy that cuts up rap vocals,” why not show the world that he is a heavy weight music com­poser and pro­ducer. The album suf­fered a lit­tle from it’s lack of focus, but with Savath & Savalas and Piano Over­lord on his mind and plate, it can be expected. How­ever, some of the tracks on that album are cer­tainly his most melod­i­cally com­plex pro­duc­tions to date. The pre­vi­ous album, One Word Extin­guisher is still my favorite album of his, but Sur­rounded… was noth­ing but epic and showed he was about more than the chopped vocals. His most recent release, Secu­rity Screen­ings, was com­posed dur­ing and after the tour for Sur­rounded…, and inspired by the fre­quent air­port secu­rity holdups (an admit­tedly scruffy, tired guy walk­ing around with a ton of instru­ments and strange look­ing audio equip­ment?). The sense of frus­tra­tion at the has­sle and claus­tro­pho­bia of being prod­ded brought on by this expe­ri­ence is appar­ent through­out the “mini-not-an-album.” Some­times abra­sive, some­times gor­geous, it is thor­oughly dense and feels truly like some­thing “new.” Her­ren is an artist that deserves increas­ingly closer looks as he grows as an artist.